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And no one is' nothing

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not true! I find this wonderful event, the thrust and purpose, enthusiasm and cooperation of the people who have self-organized. Fortunate to be in the city where you can play and contribute.

And they say that is useless, that nothing changes, but "who cares"! You try, you do, you still talk and everything with a connotation of the party.

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"No one kneads clay
more land and no one breathes on our dust.
None.
Praised be you, Nobody. For your sake we

flourish. Meeting

you.
A nothing we were, we are, we will remain, flowering: the rose of

Nothing to Nobody ... "

This is the beginning of a poem by Celan, which bears the title" Psalm. " A true prayer. Voice of most religious atheist
arriving in addressing anyone.
The area where we meet God is that of transcendence, meaning the purest form of objectification, discrimination, separation, unavoidable pitfall of every cognitive act.

words and nothing else. The sacred is thus immanent, as what remains useless and alive.
Of that which is immanent not talking.

That Nobody (important capitals) which is appointed, it is precisely the way that desperately called the unknown, that we never find us, but that comes to us were calling at the outset, becoming alive as interspersed.
We (do not) we are nobody, and nobody at that meeting, flowers.
Born without a name, (where) has no name, (where) we end up with no name.

Prayer atheist, even if making use of the word itself is wrong, because what is missing is the concept of God, but rather we must consider that what is really just the same words, in the paradox of where it is impossible to define.
far from the word that implodes in on itself, manifested as complete, showing only itself, and therefore donor voice that no one who is unlistenable, unknowable, unspeakable (though, paradoxically, to be appointed).

The "nothing" is all the overabundance of this world.
The human being is a luxury that the earth can do without.

Luca Atzori

Army Dine In Invocation

suffer wrong is possible only because the victim is a lack for words. For example, any person is "forced" to do a job that you throw in a position of advantage, leading the same life as despicable for forty, fifty ' years, and would certainly have a lot to say, but can not tell even to himself, so easy to wear the dress of a slave, dragging in a life totally wasted (with the goal that port called retirement).
In this game comes into play violence made by the so-called reason, which in itself is also unaware that the perpetrator has, from which it for granted that that is your right.
What we think of as exploitation, can not at all for exploitation, which instead feels very happy to bring home his "bread", and enough.

Speaking of violence we are automatically put on the side of the executioner, because use his own language.

who is undergoing a wrong often (almost) does not know. He does not know what to be for another person would rather that. This is the nature of the wrong, so for someone and not for someone 'else.
But it is also true that the fault starts from the moment the project the servo is stopped.
How can we recover from such a maze?
It is customary to speak of emancipation, workers' rights, like a song that gets lost between the walls of a sky completely empty, without any ear that will listen.
It is customary to speak of injustice, exploitation and using words of others.
The mistake is now in everyday most seemingly trivial. The act of hooliganism at school who threatens you, or someone steals your girlfriend, and so on.
What is lacking are always the words.

be speechless.

suffer wrong, however (ie buying consciousness) means to receive both a gift. Dell'estromissione The gift from the realm of reason. The gift exclusion, of being heard to say: "you do not you make the most part."
The gift is a subtle form of violence, because it consists in coming off the field of application. There is no longer a demand, there is a given (in this case is manifested by a private person). Whether you use that to remove it in the case of creditors. In the first case you have something back in return, without which it is claimed, in the other it forces the victim to be taken out from their place of meaning, that is to get the same gift, abolishing the wrong. To get-giving.

Hence the total negativity, the only solution.

We are still too tied to a concept of community that provides for the existence of I (We) away, where they relate to one another as if you were included in a multiple sense and not nonsense. We are still all too
'work. "
community instead of showing us our finitude, out of the car, encounter the paradox that is the same reason, of which to laugh with the knowledge that begins in his own death and then the loss, the one from which you started. The community meets in what is written, as no place plaque. Area without the area.

Where is this community? Where do the answers and the questions begin.

Luca Atzori

One Of My Dogs Nipples Is Swollen

The things that I say "never" and those on which I am the face of perplexity. Flashes of dance

The first is obvious, their implementation usually incorporates bad feelings.
But how often do not I can say "never" and only decided to declare skepticism, in word and attitude (I see myself: shrug, arched mouth, soppracciglia up, perhaps shaking his head). And there with the power of gestures and thoughts really take a position and walk away really mentioned the event. But as time goes by position, the emergence of profound needs, inspirations from the outside and strong emotional upheavals things change. And the events creep into the folds of skepticism and suddenly I say to myself "yes"!
Performing a dance full of himself in front of so many people ask for help explicitly declare and needy, to say I love you, in a poem to express emotions without shame. Uncovering a vase of deep emotions in me is hard, but it must be the only way not to choke under the scaffolding of the faces of doubt and insecurities that life naturally has built around me. Back
the idea that the human being is born positive, made for happiness, but then the events and influences that make him forget his nature and they do believe limited.

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dancing, dancing a merry, lively, with music that brings distant traditions, a natural and spontaneous dancing.
Dance and I'm in the right place, the sky above me, barefoot and dirty, and I laugh.
does not matter if it ends, no matter if you lose you again the direction, no matter if they fall in my thoughts. It can be a time when I suffer, in which lot with my weakness, but a dance can be a magic moment that really says how can I be happy if I want it, that joy is there waiting for me.

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lucidity

Disorder and the accumulation of layers of things, I wrote of this two days ago. And 'one of the ideas that I have been following for some time, I believe, because even the previous reflection on the "need" evokes a bit' the intent to do cleaning and clarity.
In these days of extreme thoughts about me, that I feel now to be saying satisfactory when both painful and dangerous, I realized that it also applied a lesson last year. I took a trip to India in an emotionally difficult time, I did it as a gift to myself and how wonderful care and even told me that you do not escape from their feelings.
Bulimia by travel and new experiences at all costs is not healthy when you have other things to work on. You can not escape from loneliness or insecurity going halfway around the world. Life here is in everyday life, the balance to be found here. Input and viable ways of looking at things other than their own are important, but not the quantity that counts, not the layers that cover the pain, is the quality of ideas and visions that grow. So I canceled a trip I planned to do in three weeks. Yes maybe it's bullshit because who can say that then applying one of my other rules (that of the opportunities) I would not replace it with another:), but that still surprised me satisfied and positive is the spontaneity and lightning safety with whom I have decided not to.

Lack of firmness and clarity in ideas is what leaves me so helpless and insecure at the moment. Did not remember this, the joy I feel when I confirm entrance or a road with the greatest firmness, when an action is so far consistent and harmonica with me and my surroundings.

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THE WRONG INTERVIEW TO GIANNI MATTEO CULATORIA


Di Luca Atzori

This is an 'I did interview the author of The Pit and the Mirror, Gianni Culatoria, last year, when the opera was born.

L. The Pit and the mirror, could you explain more precisely why this title?

More precisely G is not to say anything, but (simply) is the name I give to this work, which in itself has no specific meaning, but rather has a value that it certainly does not reside in the paper and even less in the letters or verses. The value of this work lies in the fact that it exists. His quidditas, we could define it.

L. He wants to understand a kind of machine autopoietic in the sense that could be understood as the great works of art glass Duchamp and similar studies carried out by Maturana and Varela?

G, No I do not mean this, or at least my interest was not to write a book of poetry that he had "function autopoietic "as she wanted to call it. No, I wanted to write this because it was finally locked up a new myth.

L. E 'possible to think of new myths? Myths should be seen as something eternal.

G. This does not exclude that among these there will also be new ones. You must consider that the myth begins when it is said. What then is his eternal morphé that's another story.

L. I am not in agreement. In any case, what is the myth that she is?

G. The myth of the mirror and the shaft. A madman was in a hall of mirrors with a speculum in hand (note the play on words) trying to hear the heartbeat coming from reflections on the walls. Obviously he did not feel anything. The greater the surprise comes when he realizes that even his heart beats faster. And from there begins to be reflected in the well that he is in the middle of the room into which it sinks in the depths of his conscience which precipitated resides. Once out will always return to the hall of mirrors, but conscious and joyful, will be back between the mirrors on the walls to gaze at the changing reality itself thanks to the great gift regained, namely that of self

L. What is the meaning of this story?

G. This story does not have a specific sense. It is an allegory of living existence.

L. That of the author?

G. The poet, more precisely. The author is the one who tells, but is now almost entirely in the text. Who is the poet exists in life.

L. Although the job of the poet can not say certainly that there is today.

G. Because there has never existed. What the poet is not a job, but a character, such as shyness, extroversion, etc. melancholia. Far be it from me to have a job, I'm too good for that. I was too close to hell.

L. But it is also a skill.

G. Exactly. Who is the poet is because what is his character. The character of a person whose life almost any event. The skill lies in the peculiarities of all never say anything definitive, who then is forced to use a language different from the one commonly used. The poet is made of language, that is his character. It is rare to find poets, this is true, but simply because it is a diffuse character.

L. The poet is made of language.

G. The poet is unpoetic. The poet certainly brings another place in places, not just the poet is always in a different place than the places. The poet precisely because it is embodied in the very existence, can not that appear and communicate how it goes. The place of the poet is the true place, which is not always a place, because you can never be placed on anything.

L. Embodied existence?

G. Exactly.

L. Heidegger?

G. Not really. I would rather say that they are waiting for a rebirth at the total. That men are individuals and at the same time real centers of power. But I would not come here to speak of the sacred, nor do I embrace and Leibniz monadology. I will not be interested the sacred, nor shall a man or truth.

L. What then raise your interest?

G. The woman, only women. What she will never speak for itself.

L. Answer bizarre.

G. And possibly even interest me the streets clean.

L. Perhaps you are referring to the slightly rough tone of some of his verses.

G. I said I'm interested in the woman. Then, just as you said. Now please all.

L. Thank you deeply.

G. The pleasure was all mine, mine alone.

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CASTELLANO PROVINCE AND I met him at his house and gave him a few questions

Luca Atzori



Apparently only recently been able to put my head under the sun as a certain reality, composed of several songwriters in Turin, which would be present at the scene for several years. Often collaborate with each other, honor each other. The musicians that accompany each play well with others, and they happen to be present at their concerts together in the same evening.
So this is a true collaboration, completely free and especially created for the road, created by friendship.
One of them is Matthew Castellano, twenty-eight, in operation for four years. He has made an album (self produced) in 2005, titled "Poisonous Mushrooms".
Matthew brings with him the experience of several concerts held in Piedmont and beyond. Anyone who has seen him perform has inevitably had to grab her figure giullaresca accompanied by contrast a 'charged atmosphere of a certain bitterness. Whenever you happen to be at a concert by Castellano foretaste of something that is halfway between the comedy and the finest songwriting.
The lyrics are always very incisive and full of irony, even though sad at the same time often contain allusions to the past or provocations aimed at the social reality.
For example, the romance of an old maid at the Neon, or The song of the wind based on the biblical text Ecclesiastes, then all his sketch series Hello my name is Joe or machine head etc.
In 2009 he attended the prize and Tenco finalist in the competition "Buscaglione" held at the Victoria Theatre.
He has played in places like Hiroshima, the Nuvolari, Folk club, and many other local authorities. On May 22
back his last concert, held at Kalakas Monasterolo Savigliano (CN), along with opening act Sans Papier one of whose members is the owner of the premises. Currently
Matteo is working on a new album that would bring out next year and which is rightly does not yet tell us anything.

I met him (about) to his house and gave him a few questions ...

Hello Matthew. First, it makes me wonder, how did you decide to become singer? I had a job
as a theater technician, then I have happened a couple of gigs and I've tried. After that I started playing in the street.

How did you choose to play in the street?
The road makes you free and you do not bind to a discourse of dependency work.

What are your influences?
Bob Dylan first. They are attracted by popular singers. This indicates a certain conformism my, are susceptible to the myth of the master, the head people, the legend, and also means that I feel sympathy for all that is popular, and therefore aspire that my songs come to the heart of every person I like Cabron de la Isla, Ruben Blades, Jean Louis Guerra, Vasco Rossi.

There is a lot of music Latin even in your influences. We are colonized by
musically speaking countries. We are, however, much more like a Spaniard than an Englishman, and these singers I mentioned them because I feel closer to the heart. And I prefer the Latin rhythms that rock and roll.

is something your search due to a presence of theater and cabaret that distinguishes your concerts?
is a demon I know from childhood. A force that takes my meditative character and lost in the clouds to make it a minstrel. There is a search, but a mask that I have recruited and developed since childhood. As a child I was so goofy that slowly I have paid attention to my every move, building a mask that has now become part of me.

More than a search, therefore, a therapy. Yes
But we must go beyond the masks. Using drama to communicate the best. Play has taught me a lot of things from a psychological point of view. I guess you could say that I do not do it music theater, but something in between, where one thing makes up for the absence of the other.

have recently started working with a band.
For a year he left the project and Matthew Castellano Province, a band that has found its balance and a working group. You went through changes and is open to them. The current lineup consists of Bozzi on guitar and arrangements, Nicholas Bosio accordion, synthesizer and sound, Vito Micolis Latin percussion and cajon, percussion Joseph Leone southern Italy, Enzo (Forever) Mesiti on bass, and cyber psychomagic Einrich Vogel arrangements.