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phrases that return

"Sitting at the stern I was wondering how long it will last a world governed solely by the criteria uneducated, inhumane and immoral economy. Seeing the shadow of distant islands and I imagine a still inhabited by a tribe of poets held in Serbian for when, after the Middle Ages of materialism, humanity will have to start to put other values \u200b\u200binto their lives. "

the wake of delusions of others I am reminded of a personal flight of fancy party years ago in this statement by Terzani ..

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CLOSE PROXIMITY 'Neobarocco

In many authors, is often the need to narrate, describe and represent reality, so for as it is, as something distinct from itself.
is the attitude put into practice from the traditional novel, which (as it should be) has the objective of telling a story.
The novel becomes an object into which we enter a world unto itself, with all the details that relate to the characters, situations, settings, dialogues etc.

Many aspiring writers are accustomed to (especially by our peers, and not coincidentally) they are beginning to fall into the defect of the Baroque.
They use an archaic language, build a long term basis, highlight a borderline between the poetic style and emphatic. This hinders the development of the story, which loses its centrality, so often (for the most willing) start a process (necessary) of filing of the style.

None of them knows that what is meant more closely with the term "baroque".
First, we must then ask for clarification.
In the novel, which has a characteristic that is the daughter of a certain line seventeenth century (and accurately so, that means not only Gongora, Guarini, but also writers of the decadence of Carlo Dossi, D'Annunzio to Arbasino etc) the word becomes contiguous.

The aim is that it is intended in this case to achieve a connection between form and content.

is no longer the subject of the story itself to be of interest (now easy to change from film, television, internet etc.) but the words themselves, which in the author's subjective point of Vieu, get behind him in the eye shadow which may prove all possible worlds.
literature in this case is contiguous between the truth and its opposite, and thereby acquires a value of authenticity, as the object itself no longer presents itself as the heart of a world with all its elements objectivity. The novels of Tolstoy, Dostoevsky, Mann, are part of a tradition that is becoming increasingly difficult to perpetuate, because no one contemporary writer may be able to write a novel of 600 pages and be read with the greatest sincerity from the reader.

Literature is now closer to a new form of the Baroque, where the writer can not do with the emergence of his words, his vision of the world, placed at the service of a story launched at times broken, never true, where the limit is in the eye of the reader and the word is absent in that intimate contact between the heart, like a river within which dispersed, exposed by the trace of the written testimony that leads to pure paradox the disappearance of the ego, and thus of "reality" itself.

literature is (now) just to clean up the visible real (too real).

It brings the awareness of all that there might be suggested by the language and from it alone.

For this it must be contiguous, ie no longer have the purpose of narration things.
not place more value on a fiction recognized by many as the best acceptable, but rather have as their object the literature itself, which lost more than as a tool to reach to touch the imagined worlds of the contact with the maximum allowed by the word naked, only testimony beyond which no there is that our own making, akin to that of the author, where there is no distinction between beings, and where literature becomes no more an illusion of the monument, but a focal point from which to make alive dreams, in truth, a total surface area, and adjacent Baroque.


Luca Atzori

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THE PROSTITUTE AND OTHER PRAYER

The prostitute is a woman who carries an honest profession, which includes within itself the creation of a path that differs little from that which takes place in a normal psychoanalytic therapy.
The customer (smart) pays to know the extent related to the level of its opening to the other. From one value to another, he makes it good.

The relationship with a prostitute, is the mini-love story, where the monetary exchange makes it impossible for the occurrence of any illusion or a lie, because that is the body part, placing a cross over the whole field on the seduction and other similar waste of time.
is not the satisfaction that can be reached (because who would be happy to go with a whore?) But the report itself, the report seen and experienced, without the foretaste of the conquest, and the theatrical performance that finds its applause.

I believe that in today's society where the market god is omnipresent in every corner and crevice breath viscera, the craft whore may be regarded as honest and pure than you can imagine, and also makes a great lesson on the economy itself and its functioning.
The girls of good family, are, however, often dishonest, because that is engaged in the theft of the soul. All'innamorato require attention, satisfy the whims, demands of different elements often materials, such as valuables and expensive dinners, car, high income, etc., and can often be made only by a calm approach wild and primitive, which circumvents any trouble; even if what is made manifest is not an expenditure that an end in itself, where you have to nurture the image of an identity is seductive which in itself is also the subject, fetish, fantasy, but which represents other values \u200b\u200bthan those related to the object of pleasure itself. This explains
not that there's something wrong with the behavior of the girls called him "normal", but rather that with regard to the sphere of sexuality we live in a world completely ignorant, and the only teachers (which should be placed at the university level ) are just bitches.
We are all obliged to keep silent in front of the reality of our desires, and we do this by spending our money on other goods and objects that serve to make our Catholic guilt.
I state that I believe sex is a strong element incorrectly assessed. We are surrounded by sexual messages that lead us in every moment to be desired reports often the most "transgressive" as possible. Or you sling in romantic relationships based on lies, where one is not really interested in another, or for their own purposes that are related to some empty or need for affection or punishment, and so on. All this makes for a big slowdown in the self-knowledge, as the conflict causes a primary element, where the other is an object, but which we do not know what value to give.
The prostitute instead makes the sexual act in the foreground, from which part. The relationship with a whore can see sex not as an end, but more like half.
Pago, I have sex, hello. This is the sequence. It is clearly the most often very sad and dreary, no doubt. But going beyond the simple contract, and considering the situation from a human point of view?
Maybe we would realize what the rest is obviously bleak and miserable, compared to the angel that only in the middle of a street or in the most seemingly disgusting we might encounter. Pierre Klossowski
called a whore a living currency, or that body which in itself would not have money, but that the gains through the payment that led him to wear the clothes of the ghost who lives in the minds of the audience, becoming a simulacrum of itself, mostrantesi as a trailer for a film of love.

This is one of reality. Alas, it is difficult to be true, except in those moments when you should have known about this phenomenon called love, in itself free, just like death and life, and just as miraculous, rare, of which most men have the misfortune only to see the mirage, in their whole life
Prostitution is neither a straight path, or something deadly, but only a profession that has a dignity that other trades is even missing.

Luca Atzori

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Earthquake and composure on the day of such leave

strong earthquake in Japan the night just past, says an article in Tokyo "have rocked skyscrapers and people took to the streets in search of shelter. All with the traditional composure."

Narcotics. The composure is not generally my sympathy, but the gains when it is exercised in the face of large and small incidents, both practical and emotional.

How I miss in the second: lucky weakness, immaturity or why not .. a small light to follow, hoping to avoid reaching


(12 hours have passed from the line above .. peace and quiet as it is small and privileged on its reasoning in comparison to the immensity of nature what happens halfway around the world)

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paper boat Amalia de Bernardis


Luca Atzori


"other Prayer" is the title of the poetry collection published by the publishing house Roman Aletti publisher. " The author is Amalia de Bernardis, classe'84cosentina of birth, adoption of Turin. Amalia
work in theater and a cultural association called "Yard Altrigo", with which it aims to explore the theme of otherness, through the experimentation stage and performing.
This is his first book, and brings a strong track of a post.
From the first verse, we realize that words have a life, rather than read, remember, or understand, be seen, experienced, heard and digested.
A 'work certainly theatrical, where the poet brings with him the task of exposing himself naked, as if the nudity were the only true carrier of knowledge. Exposure to anti-social, anti-human. These are the words of one who has no friends. Of every single soul.
of that human being who ever is a poet and actor together. Who says you crazy, the place of a well that we can listen in ourselves, without thereby seeing it, except through some glimmer that the prayers of Amalia is manifested at times, although by definition unattainable, if not by themselves as well as themselves.

I met and interviewed in a bar in Turin.




Amalia, the first question I'd like you is if you can indicate a literary genre in which one can understand your work.

I do not believe in a literary genre. Writing is urgent, and I ask myself questions about "how" or aesthetics. My writing is impulsive and not rational. Born as a vomit. I can say that the authors feel that close to me are Mariangela Gualtieri and Marguerite Yourcenar.
But otherwise I do not like limitations, so I do not like the genre. You, however, a

your vision, your own "poetry."

ask me if I have my vision ... I can answer that I have visions. My poems are translations of what I see. I search the other, the beyond. I try to drill into things to find the core.
Taking photographs to reality and my feelings. I do not have the power to enough, I constantly need to overtake.
I have also a strong relationship with dreams, and sometimes I'm obsessed. Need

often use a key religious mythology. Why?

I start from the beginning. I think everyone should be able to create a new gospel, a new Bible.
are also closely linked to issues of faith and not by chance that I did a show about Mary Magdalene. Then
Calabria, where I grew up and God is very present. For this I turn to him often, to justify my pain. This to me is the sense of incarnation.

What does the title of the work?

is the prayer that is not addressed to the saints. Prayer as written, and therefore high time to sacredness. Prayer that is directed to another, where the limit is the last word before which close their eyes, just like prayers, and simply recite.

From what you say you can imagine trying to reach the association between the theater and poetry.

Just because prayer is prayer. It is the image that I do I try to pray my prayer. I want to give flesh to them (the words). We want you to touch. I want to give them identity. Are not words that should be read, only to be regurgitated.

Why the choice of certain myths?

For example, I chose the myth of Icarus is a person because of my past who lived in front of my window. Mary Magdalene has been persecuted because they had not shown a way of experiencing the sacred. We are children of a religious man. I firmly believe in passion, in the sense of suffering and together in the sense of love.
Achilles is more misunderstood. Penthesilea climbs to his throat, like that of an Achilles' God is the God in human flesh. The school has made us swallow a lot of crap about the Greek myths. I think we will have the duty to seek the myth to start from the beginning, and translate their own lives.
The poet is a creature that has scraped mediarsi with humanity.

The dedication for those?

is dedicated to my partner. And this book is our son. I try to express love as a form of mystical ecstasy. How meta. I try to express the total abandonment, real.
I do not find particular styles. Are ungrammatical, and they are for choice. I do not think that art should solve their own language, now we have to get through. We need content. No need for talent, we need to genius.

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resignation .. because it is objectively very smart.
Just born yesterday in the wake of the securities is to channel the peak of unease that I have today. It happens rarely very strong instincts to try and objectively will not follow, I very rarely happens. Today I had, I pulled up the phone and told my boss "I can not, there's nothing wrong, but I can not, I'm leaving, I'm here but it is as if we ourselves, this is too inconsistent, "and so, I would have fired .. even then I said no I invent a crazy and ask the expectation, even a month.

Then after such moments there as a void to be filled with the conviction that being sensible is the most wonderful and constructive and that the meaningfulness of the world can be made of mica only hyper-rationality, but also of creativity and humor.
How creativity and irony of the gas station that I met last night: "Supply transaction completed in real time! Gasoline is guaranteed 7 days from purchase! How do you want the rest in small change, paper, check or what? And 'Good paper, authentic .. .. 2 tickets to see one from 5 or 10? Mh .. his car is light gray metallic, pearl gray mh .. it is perfect with tickets from 5 Ah for every complaint there is a number to call is not green but ... "And so on. I stammered some answers, walk away laughing and he is a genius who makes a circus of a treadmill.

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THE BREACH OF PHENOMENOLOGY

whole sphere that concerns the area of \u200b\u200btransgression, I believe is to be considered as the most paradoxical of slavery that man can conceive.

When we decide to transgress, we are motivated by the illusion of being able to reach beyond an obligation and an imposition, and we do it or violating or failing to comply with a rule pre-tax.

But rather than a step beyond, it is sadly (and more) of a host, say a yes, a bow their heads.

The only place that can be said right of the beyond, is close to the sphere of non-knowledge.

The point is that because the failure can be, it must always be preceded by the idolatry of a rule or an idea (in this case and others always accepted other masses).

Whenever we offend you, feel the pleasure of being able to get rid of this obsessive mandatory recall that occurs with the "thou shalt".

But this we believe to be a form of emancipation, is nothing but a fairy tale that we tell to our senses, made on purpose to make more power than the law of nature that could be totally averse than those who are our authentic needs.

Any law can in no way a law, and this is what the offender, dazed by his libidinous narcotic thrust, does not understand, he can not understand. For those who transgress this

is a slave, because he believes.

There are perhaps aware and perverse forms of transgression, which in this case should not in any order, as those who exercise, individuals are able to believe on purpose to enjoy, and therefore capable of not-knowing, not able to understand.

They are monsters, they are saints.

But the transgression itself, for as it is commonly understood, is the way that we can take more antifilosofica.

The transgression is in the margins of some human affairs, some aspects of nature.
is in itself a foolish laugh, conducted together with the fools at the expense of the happiness of Orpheus. The

transgression that has a vulgar, because it makes real what is meanest in the consensus of the masses.

Transgression is the production of garbage, and nothing else.

Luca Atzori

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The title of the day

Yesterday was the day of the timing, small events and synchronous concatenated, without producing anything of striking, have succeeded without force.
Today I just found out to be the day of slowness. Concept amazing, I had heard years ago and the initiative had met my sympathy. But that's a world title and a warning to me and my "existential consumerism." Before I discovered the label world, it emerged this afternoon from a cross of messages to friends entitled "Day of urgency." It seems
serpreggi anxiety, physical (cold weather, are inexplicably more tired than usual) and psychological (the cold you feel outside sometimes echoed in!), The urgency refers to the desire to placate the unrest.

Many days could have a title, not for everyone, I'm sure, but for those who observe what happens inside and outside on some days it is natural to identify a flavor or a guideline. Automatically when the individual is almost an urgency to a label, if the aroma is pleasant and nice to give him a tribute, if it is' na crap is therapeutic enclose it in an ironic title.

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braziers and joyful serenade

There are braziers in the bedroom bed, heat or ambitious to imagine that we can remove that damp had soaked sleeping bags and blankets, but there is evidence that ancient gesture and it's exciting.

there any rare moment in which we move away from the group, dancing, songs and one of those moments we find ourselves in two in a wing of the farm and we notice hints of accordion and vocals that echo from the courtyard. The party has moved out? - I think, however timidly open a door to the courtyard and the first blind witness to a serene, sun and disbelief for a few seconds until the landlord comes to whom he was devoted.

pass from one room to another and move heavy doors and irregular, with bolts to the capricious rust, walk on a floor secular, on the wall beside the fireplace comes off a piece of the layers of lime plaster and you can not count how many times it has been refreshed this room.

then drink and eat everything that you could find it a century ago, struggling to find something that reaches more than 30 km away from here.

already know that if shared joy is more full and looks around you is the same emotion

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You may risk indigestion of joy? Positive emotions?

Giovanni Allevi I once heard tell that to return from a round in China, finding front door of his home in Rome, probably overwhelmed by feelings and emotional experience, he was seized with a panic attack. I think that event was born then an album.


are days of intense succession of ideas, faces and experiences that are feeding the hungry than usual, which puts the roots in the stillness that has colored a bit 'uniform and tenuous some years of my life .


But no panic attacks, but not an album to be composed ...

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intoxicating

It is noted that when starting ignorance is the joy of discovering a drug, intoxicant, it is recognized that the exploration of complexity is an Achilles heel, but with time and "event" can be discovered by a personal disposition to take a tough road and come up with a way to live it as if it was not hard. Blends all this with a time of particular weakness in the face and receptive to what is harmonious or musical expression of the body, leaving out the wishes expressed or never ever looked at each other.
Here you find every day on a chair to study at the most unlikely, even for a few minutes, even with few (boh?) Results.
Musicians of the world, the day that the complexity or listlessness should undermine this direction, some of you food inspiration! It 's like a gamble .. for one who has never made!

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Tamarra

As phenomenology of drawing a figure that I propose here, is antithetical to the intentions for which the argument itself is proposed, I think it is clearly necessary to put the idea of \u200b\u200b"tamarro.
Phenomenology, in this case, could provide data useful in research of epistemological character, not enough, obviously, but needed to go beyond the idea and can make an argument that can at least be able to make clear the problem.
The first question to ask, in fact, is this: Who is the tamarro?
We are all accustomed to seeing such a figure, although in my opinion it is one of the social realities more vague.
The element that most characterizes the tamarro is linked to violence, "vice / virtue (a virtue in the Aristotelian sense as close to the deadline, and then linked to the strength).
The only language that people can use in question is close to his gestures of 'physical aversion, a weapon to show the outside. The
little familiarity with the verbal language is closely linked with the 'physical energy, single sign-thinking of a spectacle with ease.
But this is actually semi-literate (even if unconsciously) wanted. What is the tamarro defends his anger he shows in fact a refusal to learn the language that is taxed in the school, since the primary.
Indeed, in some school situations, the lead tamarri respect for "repeating".
This clearly stems from a loving relationship with their families, where one breathes the exploitation, the anger of the oppressed, the struggle to make ends meet, poverty is not only economic but also spiritual and cultural, where the sensitivity has not opportunity to be educated as in the better-off.
You do not want to understand here that there are classes to ensure higher education. Rather, the education suffers tamarro still comes from above, and is pre-cognizzata because these parts of the flock, to carry out their duties. The tamarro often reflects the norm, understood as an idea sufficient to guarantee the exercise of his employment and entertainment within a predetermined rank, which formed a mass and for that consensus.

There is a destiny that he wants the social tamarro is ignorant, stupid, violent and cunning.
Michael Foucault explained the concept of biopolitics: that the power control system exerts on bodies, deciding on their own social emerged from positions in which they themselves are forced to work, at home etc.. The housing may rarely produce people who behave like someone who lives in the hills. The
tamarro is often a very carefree person, not exactly suffused with existential problems if you do not order material, linked to matters of survival. Does not arise because he has other questions to ask, and are clearly of vital importance and closer .. For this reason
tamarro is normal, or more precisely, it is assumed to be that he. This
his carelessness is distinguished by his clothing, sports often, comfortable, or even often consists of clothes close that highlight the physical well-groomed (value nature of war, where the military must have just a lot of resistance and strength, and enough but not too much brain). The tamarro not live but a close relationship with his own body sphere, although it may seem. He takes some specific actions and repeats them, mimicking a code that determines the respectability of that and then his own life in society. Inside the physical reality of such an individual, is the archive of so much social rage, of a secular nature.
The point is that this anger is not allowed to record, if not a direct expression of that which can occur through physical or verbal aggression reduced words in the vulgar content, and provision of a park very lexicon.
We know then that the properties of language constructs reality identity of each individual. The wickedness of
tamarro is true for its etymology (captivitas - prison) because he is the slave.
The site built just for the fun of tamarro is the nightclub, where he carries himself in the wars between males around for women with which to vent sexual needs, but often the pattern is more catholic in mind that in places frequented by other members other social groups. The music is repetitive, going to stimulate the lower parts of the body, so that these are urged to follow their animal instincts to the detriment of the most spiritually elevated. The nightclub is the culmination of education and for that of the manipulation exerted on biopolitics boys, forced to move in a certain way according to the rigor and discipline of the ghost that teaches them fascist. At
tamarro not allowed to communicate verbally with individuals of other social classes. It is as if there was an inexorable un'incomunicabilità due to separation, even an obvious parallel. If the tamarro would communicate with the son of a university professor, should learn his language, and thus give up their.
The point is that the anger of tamarro is inexplicable, except through a conscious rebellion that comes from himself. All revolutions have been theorized by classes that were not the most subordinate. In the midst of the flock of tamarri, there are certainly people that fate has marked the chance to wish to extricate themselves from their fatal position (without having him feel jealous of other "higher"). Desire is not stifling, and what does the reality of the era anti-initiation of consumption, where the extension of the company is his own portrait (see "Society of the Spectacle by Guy Debord).
But if the average student, or even the intellectual, who want to define themselves as defenders of the oppressed classes, meet the tamarro always have a mixed reaction of disgust and fear. The fear stems from the awareness that life tamarro knows much better than they can do themselves (in addition to issues intimately animals), and disgust is the result of that education that will stand out each part of the social reality in its place, enabling the various theories that a certain need for humanistic always refer to a next and better world, and for that very abstract, moderate, unresolved. What in the
tamarro should cause disgust is' the same dress that he wears (both metaphorically or not). But by the same
anger that he brings with him is a sign of social urgency that will not identify (because the tamarro does not follow a specific fashion, he is part of the current) but to show its own truth, as evidence of what is life for those who live in the suburbs or in reality, however marginalized, where the only thing that should arouse disgust or not the sense of superiority, but the scandal of lives defuse why this is necessary to live in the corrupt world in which we rest our butts .

Luca Atzori

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multiplex without peace

The photo is very rough, it is hastily taken with the phone in the cold morning a few days ago. This is the billboard that advertises the multiplex cinema, which reopened to the Old Port, "the Space": the sign is crippled because it was removed the second part of the word, the letters "peace."

Who can ever have been .. Rhetorical question for those who live in Genoa, has been that Melina will not resist the call of word "peace" to be reused in its fanastici urban collage.

not sympathize with the multiplex blockbuster brimming with hungry people, popcorn and big industrial bibitoni are so emblematic of what I do not like! And how much fun the new image of the giant endangered by the colorful Melina armed with a simple box cutter, did not act on a single cartel, has not spared other nearby with her this lovely little vandalism that seems to me I can not condemn a champion of the decrease, fantasy and dell'anticonvenzionale!