In many authors, is often the need to narrate, describe and represent reality, so for as it is, as something distinct from itself.
is the attitude put into practice from the traditional novel, which (as it should be) has the objective of telling a story.
The novel becomes an object into which we enter a world unto itself, with all the details that relate to the characters, situations, settings, dialogues etc.
Many aspiring writers are accustomed to (especially by our peers, and not coincidentally) they are beginning to fall into the defect of the Baroque.
They use an archaic language, build a long term basis, highlight a borderline between the poetic style and emphatic. This hinders the development of the story, which loses its centrality, so often (for the most willing) start a process (necessary) of filing of the style.
None of them knows that what is meant more closely with the term "baroque".
First, we must then ask for clarification.
In the novel, which has a characteristic that is the daughter of a certain line seventeenth century (and accurately so, that means not only Gongora, Guarini, but also writers of the decadence of Carlo Dossi, D'Annunzio to Arbasino etc) the word becomes contiguous.
The aim is that it is intended in this case to achieve a connection between form and content.
is no longer the subject of the story itself to be of interest (now easy to change from film, television, internet etc.) but the words themselves, which in the author's subjective point of Vieu, get behind him in the eye shadow which may prove all possible worlds.
literature in this case is contiguous between the truth and its opposite, and thereby acquires a value of authenticity, as the object itself no longer presents itself as the heart of a world with all its elements objectivity. The novels of Tolstoy, Dostoevsky, Mann, are part of a tradition that is becoming increasingly difficult to perpetuate, because no one contemporary writer may be able to write a novel of 600 pages and be read with the greatest sincerity from the reader.
Literature is now closer to a new form of the Baroque, where the writer can not do with the emergence of his words, his vision of the world, placed at the service of a story launched at times broken, never true, where the limit is in the eye of the reader and the word is absent in that intimate contact between the heart, like a river within which dispersed, exposed by the trace of the written testimony that leads to pure paradox the disappearance of the ego, and thus of "reality" itself.
literature is (now) just to clean up the visible real (too real).
It brings the awareness of all that there might be suggested by the language and from it alone.
For this it must be contiguous, ie no longer have the purpose of narration things.
not place more value on a fiction recognized by many as the best acceptable, but rather have as their object the literature itself, which lost more than as a tool to reach to touch the imagined worlds of the contact with the maximum allowed by the word naked, only testimony beyond which no there is that our own making, akin to that of the author, where there is no distinction between beings, and where literature becomes no more an illusion of the monument, but a focal point from which to make alive dreams, in truth, a total surface area, and adjacent Baroque.
Luca Atzori
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