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FIFTH SPEECH DELL'ANTIUMANESIMO - CHILDHOOD

"A blue moment is pure soul" Georg Trakl - Childhood



Each childhood was unhappy. Every human who
childhood "memories" is the most unhappy period in our lives.
Just when life begins, the desires are pure and uncorrupted, and there is no foothold, nor is there need.
Will to Power. Rather
the protective embrace of the mother, than one can speak of heat, which in itself is souvenir of that 'source of love that will search for the rest of his life.
In the Gospel we read that only a child can enter the kingdom of heaven. This is because the child will be entirely divine. The substance of the child is more akin to the divine, which Spinoza teaches that in itself and designed for himself.
The child has the wisdom of his innocence, the one that we should seek.
consciousness is to forget, so remember.
childhood, where emotions are more intense, because you can not turn a blind eye to any of them, there is the purest suffering, and that is that the happy quiet of adult life throws us, that feed bitter named Civilization.
A barrier between the two coercive powers of family and civilian life.
The child is a human being who suffers the most social destiny, because this hanging over him, trying to enclose in itself, dressed in their disease, rot localized in throwing.
But childhood can not be abolished, since it embraces all the time, and rest on our skin all the moments, when connected between a geometrically and more.
The peace we seek is a reminder to prenatal.
While education involves a necessary reassurance to the civilian-run existence, which focuses on the rational sphere.
's when we suffer, the pain that we see emerge is that of the infant.
The infant cries.
No one remembers their childhood because it is a time that the memory does not keep for very nature and purpose recalled the same.
No one remembers it because it was a period too unhappy. One in which we demanded more forcefully our happiness itself.
The period in which we were (already) ready to learn the joy before death.

appeal to analysts: you must remember the 'childhood, but children go back and deal with our fatal misfortune.

Luca Atzori

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a better effort

people in their lives are state abituate a gradi diversi di fatica da affrontare nel quotidiano, livelli di sforzo che danno per scontati e o necessari. A livello superficiale si potrebbe dire che dipende dalla condizione più o meno agiata in cui sono nati, ma in realtà sembra che a parità di condizioni adeguate di vita sia proprio una attitudine di fondo al sacrificio a caratterizzare ognuno, immagino derivante dall'atteggiamento di chi li ha cresciuti. Conosco persone che si accollano sistematicamente oneri che non sarebbero loro nè rappresentano azioni nobili altruistiche per il bene di qualcuno, persone che nella scelta tra varie opzioni finiscono per una ragione o per l'altra a buttarsi in quella più contorta o pesante. E non è sempre detto che ciò porti a un risultato value proportionate to the effort. Become aware of this made me appreciate my habit to pursue the maximum results with minimum effort, where fortunately for me the most has never been the great classic, but a completely different mix of things more affordable and more sympathetic. Material goods, power, titles, be the first class, this type of record I do not care.

But a few nights ago in front of a mirror and a face unusually tried, after a tiring day, unexpectedly, of an unusual effort both physically intimate, I realized that without noticing I'm also pursuing an ambitious goal indeed, difficult. Perhaps for the first time peeps need for effort, perseverance, application, acceptance of difficulties. I assure you that there is no difference between this situation and who gets thrown into the street for free tougher. There is and there can also be as hard to accept: having to abandon the simplification, I apply the ointment of lightness. What easy credit is not? No matter, you can accept the hard work and mitigation, with irony, with the everyday joys, with the season that helps introspection. I have never heard so much in common with the winter this year.

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EUROPE: A NEW BISANZIO

"Europe today is a sham without economic cultural identity."
Stefano Zecchi

Today we feel lie above us, the cloud of a duty which at times becomes overwhelming, and no real motivation to become European final.
a duty imposed, and from which it is difficult to disentangle, if not a form of silent rebellion, but alas, often dressed in gray disillusionment.
What does it mean to be European?
means being part of a continental reality dominated by technology, economic and religious from the idea (and increasingly anachronistic mystified) by a few more next year (and ever present) progress.
whatever we find in our hands is the opportunity to be part, be understood, in a reality that, with good reason, Horkheimer had prophesied the total administration.
We are moving progressively towards a life imagined, supposed. We found accommodation in the can, and we stopped it. Forget
inert with rigor, that every form has an existential sense of possibility linked to the opportunity, the construction of a goal. Of course, how can it be conceivable form of "meaning" where there is just that acceptance of a general non-sense?
answer to this question very sharply Jean Luc Nancy, in "Being singular plural," saying the same nonsense paradoxically raises the questioning of meaning.
The nature of meaning is itself questionable and may act as a subject of theoretical attention, but it can actually be thought of as something of "lost". It would be absurd, an obvious sin creed. The same
believe that something has been lost track of him in a convenient naivete, a profound laziness in all of us Europeans are seriously ill.
The only question we ask is that the nature of value.
If we have not actually lost anything, what we see fail?
Certainly, today, the value that we see become superfluous is tied to human experience.
Mind you, from experience means that sphere which includes in itself all those areas of life, aimed at achieving any form of knowledge. In
forms of traditional societies, is man and not the financial gain, to be the end.
As you approach the expression "Man" will be equally painful to touch a button.
is not understood here in the ordinary sense, which can be regarded as established by many, that is linked to the so-called rights that a "Humanism" would have us believe that he had conquered. Here means the man in his conformation more strictly spiritual, existential figure as directed solely toward improving the knowledge of self and face.
But how do you think of a knowledge that is devoid of its experiential source?
We delude ourselves that it is possible today, precisely because we see the information take precedence over any learning outcome.
Information, by its very nature, is experienced passively absorbed, is imposed.
There is no human effort behind it to the meeting. It 's always a given that we accept and to which we as a possible outcome of the criticism, but nothing else.
information we experience as the only possible reality, as negating of 'authentic experience. So
information has emerged in the era of so-called relativism, where every form of cultural identity is seen to fall headlong into the trash where lie all the other old chimeras.
The point is that Europe itself is a chimera, but without wings.
It looks reminiscent of the ice, and shine of a cold property; covered with thousands of neon signs that are the blunders that it sends to itself and deluded to be alive. This
we are today: men with no experience and no knowledge. Deprived of our spiritual sense. Sick of a corrosive secularism that has made us kneel before the God market.

dogmatic religiosity of Catholicism that is much criticized by the young in Europe, is not unlike that which it itself has become. It has the same characteristics, the same defects. Perhaps one might dare think of reality as the best Catholic, because the nearest human, with its claim Spirit.

Until we put a second floor on the value of the individual (truly understood and not misunderstood) and consider the spirit as only a romantic and I remember them sovrapporremo the economy (by making it the policy of the more traditional sense of the term), we shall move in a world ever more barbaric, linked to direct material needs to utter dissolution of our culture.

Here we revealed the Kali Yuga.

Anxiety is a human condition that requires now more than ever, precisely because it is a push, a weapon we possess.

not my intention to achieve outcomes moralistic, but rather to bring attention to the importance of morality (something quite different) may have for us today, where each person puts their being in the world as an opportunity for research and not as the 'acceptance of the rules that do not belong.

Our Europe, suffering from anxiety, fall asleep by drinking his last drug.
We will move on this New Byzantium in search of our breath.


Luca Atzori

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"You are like your father"

In the mid 60's down to about a 25 year old made its way up from bank in Genoa. Coming from the province into a sort of staying in the guesthouse of the Mint. Among the fellow board was Ivan the burly, former Yugoslav apolito driven from his country for political reasons, Genoa chosen as between a board and the other as a sailor. The evening came down on a pre for a ride and was escorted from the bank Magretta Ivan and another partner's pension Ferrara, pretending to joke that he was a cop, so the bank was being pre commissi ... time later when he went to cover the agency to place the residents of the neighborhood via Gramsci was revealed his true identity: " commissi , which makes us behind the counter of the bank?" .
Anyway I digress, because what interests me is that Ivan had left their parents in Croatia and no longer having given or received news about the family expresses a desire to find them and maybe help in some way .. so ask the bank to run out of ideas on how to spend the holidays, going on a mission to look for him. He curious part: train, train, bus, bus, cart with a horse and arrives at its destination in a fraction of a Croatian fishing village (which soon after became popular seaside tourist destination for foreigners). Attempts to communicate a mixture of languages, Italian, German, English, some phrases in Latin prepared before leaving. Ivan's parents do not meet them, were dispatched to the border with Hungary, then the child will succeed in getting it in Italy.

My father, the banker, who knows the country has seen, Croatia in the mid-60 .. year in which each country had to offer atmosphere and social situations are difficult to find now, even going into developing countries or post strictest regimes. Then a little later the trend will continue exploratory touring Europe, especially Eastern Europe, 500 with a friend during the holidays and also those trips go out every now and curious anecdotes. These tales
heartened me a little because there are times when, perhaps in a fit of self-analysis, I wonder if my desire for new experiences, not Pre-packaged and protected is only a reaction to education and the environment a bit 'flat perbenino where I grew up or if you really want these later emerged there had always been hidden. Certain that the result of my drive is still fun and interesting, but realize that responds to my attitude of openness and curiosity inherited, is a thought which I like.

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vulevùmarseilavecmuà

A short trip of 4 days without moleskine (there were those who used mats of oily Tunisian restaurants or last pages of brochures of homeopathy), with ears made of an Esperanto, French, Italian Sardinia and Puglia.

Cold cold cold, but most detected only mica and really suffered, I declare that tested the tightness winter calzamagliagonnadilanastivalicollarinodilanaeparaorecchi.

the pinch, how is it that two years ago I had just heard of it and then I can spend hours talking, dancing, listening? It is music of my homeland, I have no roots in salento, just excited about the attraction to what is simple (and not), popular, joyous and poignant at the same time and did not need anything but a tambourine, a voice, someone to jump in a complicated way. And in a multiethnic melting as it should, for the invitation to dance pinches Salento played in Marseille using the Moroccan handkerchief.

Still on the subject of mergers, one can not stop playing volleyball in the memory of French teams, with player Friulian (unfortunately out of order) and Franco-Sardinian chorus of incitement to the sound of castanets southern Italy.

smell, taste and color from the Maghreb, and here we go again, it is not my land, but there is always this fascination with what is different, uncontaminated by the refinement and packaging that here are the prevailing rule. A snowy pales in comparison to the supermarket with a handful of shea butter fish in a bowl. Then you want to put the fun trying to figure out if I'm butter scented with fennel, olives or feet? And the genius smells like in the home with incense?

place for sharing. Colored. Triumph of the market, the city walls with slogans and posters that speak colorful, non-restaurant, no bar, non-disco, availability, hospitality, informality (stretched out on cushions too, if you want to drink, read, Take off your shoes, sleep if you can not resist looking through a full-blown desbarassu of clothes). I wonder if we can import and realize all of this ..

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Small session outflow from the head to winter moleskine

- the world peace and love is beautiful, it's intoxicating to be superior and distant from the more or less subdued aggression hatch and that people appear, but every now and allowed me an outlet? A lively and just a little princely statement of some of my ideas I was experimenting with back light and a pleasant sense of vitality in a time when I was a bit 'weak. Practice, in moderation
- are a bit 'shy and often do not ask. An unknown woman on the street was put under my umbrella asking (and giving himself an automatic yes) simply and happily a passage for a few hundred meters in a time when the rain increased. Immediately I jumped, and then I realized I was inspired sympathy. .. I also gave the little girl's bewildered before referring to the actual age. I'll remember I was glad to do a favor so banal the next time I'll need to receive it and hesitate to ask? Ask happily
- be in the grip of a mental blender and change your mind every five minutes, zero clarity, if not the fact that you are having thoughts messed up. If you do not like the moment of madness, not caziarti, look at the calendar and the measured temperature.
- printing shake, my neighbor's desk shake, a TV program broadcast media and most cunning of the simmering sense of imminent change. And I do not feel it, but obviously I'd like him enormously. I do not know if it is for the period of micucentrismo that overshadows my flickers spirit or if they are unsure of the meaning that can be attributed to a TV show. Enormous in a country where "values" are formed by too many people are there in front of the screen, but overestimated if the micro peak of free expression we see it was just a sop controlled. Watch
- the Indian summer, I do not remember ever having noticed it really exists. Observed and enjoyed

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PARENTHESES ON CONTEMPORARY DOLLS

Contemporary Art (today) brings with it the fault of his own presumed contemporaneity, because all that he can prove it was a perfect example of anachronism. Various Venice Biennale, along with countless events that revolve around the new art, are examples of hypertrophy of languages, which despite the acceleration, the sophistication, the alleged complexity of the issues that they want to treat, convey the same the same blank, and provide confirmation of the static global in which counts.
several years wandering in the air we see the names of Cattelan, Koons, Pistoletto, Abramovic, etc. One
children hanging from trees hung up, or show up at the thesis dressed like a donkey, is another heart-shaped balloons or hires porn star to be used as furnishings, the more broken mirrors, and the other spends hours to move around itself up to tire.
What I wonder is: what they have to tell these gentlemen?
Before answering this rhetorical question (because the answer is "nothing") would like to do a small part of those who were the avant-garde and what is their role.
In the twentieth century there were several art movements (in fact part of what are commonly referred to as historical avant-garde) that had as main interest to communicate their content through the form of their expression, thereby mold a search for technical or expressive precisely. The culmination of this research, we can say it has been touched by Duchamp, who with his work "The Bride mise à nu par ses célibataires, mem" inaugurated what is the conceptual phase of art.
The point is that later, so-called post-Duchamp (which would better define dushampisti post) turned out to be just more of the heirs dadaist crap (which was then moved by a sincere need for negation) and did not consider that to be artists must also possess a spirit, not just mischief, or the claim of a vague discourse on art (today very useless, and that nothing at all interesting).
So we see so many works, often tedious, and fascinated by the apparent seriousness of those we do catch and eat for that reason.
what is the fundamental problem in all this? I believe that today in art totally lacking any interest in facing the actual content, and we ask only more to form, still relegated to the centrality of 'appearance, to the point that the glacial ice is to move to the very existence of those who need them (collectors of toys) , with some I do not know what spiritual frigidity, where the eye is drawn from unnecessary details, without anything actually being said.

Art today speaks only of art, ie nothing.

Some say there is nothing to report. Of course, this is the current state of affairs so-called postmodern era, because we are living in a world that will even say goodbye to the statement, and welcomes the increasing hypertrophy of information by making the pad ready for the walk of widespread panic.
But what you can earn up to visiting a beautiful exhibition, you (if you're lucky) a 'emozioncina maybe positive, maybe negative, but always empty, almost conclusive in awareness of an end in itself, immobilizing.
artists or are interested in selling, and then prepared to find new ways to surprise, shock, investing the money they had earned in the previous show (basically comparable to normal business) or you are told that they do it for passion, and perhaps content with little, agreeing to do so as second job, find a term to address and develop and go on like this until you get tired, because "I was an artist because it's beautiful because you get fucked."
The point is that you come to this, because today it seems to have become puerile state of art as a profession. Perhaps
actually always been the greater part of 'art was just junk, courtiers, artists, and that's fine, nothing has changed.
But today that art is so widespread, is even more obvious that the primary expectation we place in it, and do not claim some kind of miracle: we expect that it trivially tell us something.
The point is that only who truly has something to say, can afford to do so. Who decides if a person can say something or not?
's urgent. What then should use all means he wants (and quite frankly can also find solutions cobbled together). Instead we
the usual, the usual desert.
need to understand that as long as the art world will go on with this competition to see who gets the bum before enrichment, beyond the economic gain and a nice pat on the back you will not get anything for sure.
You need to put the Spirit over the economy and the blind material plane on which they move these mercenaries bent on worship of anything. We need
someone tell us something. It is not necessary today to overload of ideas, often only harmful, but rather must move in the world with the attention it would remain in balance on a raft in search of a voice that moves a cry that stands between many of the songs of thousands of these sirens.
We no longer need to hallucinations, ask reality.

Luca Atzori

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Tania's work with black mouthpiece


Luca Atzori

The work opens with a black series of photographic exhibitions (painting) that will bring in ' set name dolls. The artist is
Tania Bocchino, lives in the canalside and is driven by the need to know that universe at times ineffable which is the body. Perhaps she is heightened interest because of an uncomfortable motor (which certainly does not appear as an obstacle to the feelings).
Tania's body occupies a liminal place between the inner and outer world, and this is perhaps the most important tool of knowledge. Each experience comes from those feelings that have collected on our skin, in our guts. The experience is undoubtedly the source, not the end.
Hence the title of the first series of works which refer to the first stage of the alchemical process known as blackness, or the phase where for the creation of a substance you start from the perfect source material, the lead that becomes gold.

entire history of art is littered with the theme of religion.
Art has always been a receptacle for all the sacred symbols, which is the most significant home immediately and directly to our unconscious. Tania
What is proposed is to illustrate the parallels between the life of Christ and of every man. Or rather, you might think about how each of us there is the potential for a demi. This series of paintings
it could be understood, more precisely, as a narrative of the myth which is that of Christ Gnostic Sophia.
Sophia is a figure that appears even in the Old Testament (Psalms, book of the prophets) to the apocryphal Wisdom of Solomon. In Christianity has become the female part of Christ (and not coincidentally overshadowed).
The issue revolves around which the art of Tania is really that of the sacred feminine.
The series begins in fact work to black with a work entitled kosmokrator which indicates the female uterus, seized by Tania after a Gnostic view of the array, which he considered Nature as a mere identification of the Woman. The womb of nature is precisely that "kosmokrator" generator of the cosmos. Hence the representation of the female body as a microcosmic image of the whole. So



as in the Eucharist, Memory and INRI me, or Deposition, Lamentation, where what is depicted is the passion of Christ, then the moment of death, and then the start of the rot, but only where they are represented and exclusively female subjects .





The figure of Christ is put on display is clearly derived from the pagan. Tania wants to show the contrary here especially as there is in charged of all those actions, ceremonies, icons, beliefs with which most of us grew up.
Unlike the common Catholic view, the body is conceived as a vehicle for liberation, not as mere prison. Maybe we could even consider that it is the very soul the prison of the body and not vice versa, and also because the one we're looking for (from the first phase of the black) is its unification with the universe, the complete unity between the ' high and low (est quod est sicut quod est Inferius superior). The soul is at the bottom of all our field of vision, including for this very symbolic in our fabric that we are locked, and from which we should leave (and this Christ is seen as an example).



Tania Mouthpiece is a careful reader of Camille Paglia, American author who has considered in his essay Sexual personae (C. Paglia, Sexual Personae: The Androgyne in Literature and Art, PhD thesis, 1974) the figure of woman as holy sanctorium of Nature, (in case of man, instead of Culture). This is obviously not easy to feminism cheap, but rather a form of feminism as well as machismo that could be defined before its time, where everyone takes their role and their place.
But like a kaleidoscope, in the work of Tania can be unearthed several interpretations. The most immediate is perhaps the most important and is on the erotic, as the reality of desire, but mainly to the universal. The man with his reason women want to put order into chaos. And love, as a return to the original womb, as a return to the heat source, protection.
Perhaps for this reason that Bataille would have said that "eroticism is the approval of life even into death."
(G. Bataille, L'erostismo, 1957).

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NOT MENTIONED IN VAIN THE TYRANT

note with particular dismay, that for some 'time now, there is nothing to come up with a scandal than a day, on time where there is implied that curious character who is our Prime Minister.
These are mostly matters that have to do with prostitution, the jokes are in bad taste, with the answers very embarrassing that offers a gift to whoever raises very serious questions, in short to reduce the bone, the now countless provocations.
I refer to themselves who have managed to become the only platform for discussion at hand 'opposition, which argues it all with a serious language awkwardly formal, indignant, and ambirebbe to raise awareness about the seriousness of the allegations, the character, its actions.
The point is that the scandals have no end, and made the knight a proud collector of contradictions, debauchery, licentiousness worthy of those described in a few scenes of Pasolini.
But the weapon of morality does not help solve anything. Indeed, it is certainly going to bother those skeletons in the closets (which do not want to show how policy but life, each fund owns, and thus become a double-edged weapons).
What should put more fear is the power that this man gives himself to tell jokes and go to a night of gang bang in a day at the family day.

But it should go beyond the fear itself, and ask new questions: What have we
in his hands?
What can we bring back? We have a plan in mind? We have a clear idea of \u200b\u200bwhat problems we find ourselves as Italians?
come to think maybe we are not making light of the remotely you are actually emptying out all of our "imagination" of opponents. We are sucked by a political figure (mainly television) that occupies the space where they should theoretically move our arguments, our proposals, our possible responses, and our very identity.

I believe that today the most important problem is their opposition, that does not work at all on herself, because lazy by the enemy, perhaps prompted by the secret hope of one day occupy the throne, without wondering if the Italians are in need of new monarchs or rather they need to solve their problem (more and more onerous than that).
may be necessary to stop a good time to take care of chores in the middle between the Machiavellian and Disney, and start thinking about what our intentions are, what our needs as our projects, and create an alternative form of government where you can currently only be found in the desert.
Strengthening the left, right? Anchored to and identify with a past that makes us fall in the pages of history books?
Needless to say, behind this is obviously a tactic (conscious or not, it does not matter) made in order to bring the king to become the only possible political topic, simply to waste time doing that part of the population fascinated by their resentment . We are fallen into the disease that sadly makes everything static and self-referential, where he proceeds only more for strategies.
All politics is now strategic, and serves to define the look of herself, showing only the most in its representation.
protest against education reforms, against unemployment, against the devaluation of the culture, etc is not enough, apparently. We must extricate himself from this attitude aimed solely and exclusively to the destruction of the other party, and propelled by the hope of a listening impossible. If we found ourselves in front of the fall of this government, we would have something ready to propose? We would know to move into the void?
Maybe the problems are serious when it is easier to deal solely and exclusively of the enemy, rather than seeking real solutions. Maybe we do not realize that our difficulty is a fundamental problem: the little freedom that still remains for us, and we do not know how to use. Why deal with problems without having the comfort of a handicap as that given to us by the figure of a clever criminal to the government, is something very difficult, because at that point the responsibility is ours alone.
You better hurry, and forget for a moment that boring argument we hear about every day. Now we all know well the face of our anger, we should make it constructive, or soon we'll all subjects chained to our own ineptitude.

Luca Atzori

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FOURTH DELL'ANTIUMANESIMO ADDRESS: MAD PRIDE ENVY

"Perhaps only those who want s'infinita." Montale


Envy is certainly one of the sentiments that there are more philosophical.
It can be constructive or destructive.

In the second case we no longer speak of philosophy, but simply a feeling mediocre levels that extended to the wider becomes the fuel of the crap we are used to define policy.
It 's the case of those who can not get what he wants, he decides to destroy it, so as not to be forced to bear the weight of desire. Prejudice to the policy, we can take as an example the revolutionary (of the Right, as the Left) that is not happy with the state of things where you live decides to cancel it to implement a different but identical, thereby preserving the sad and ironic truth from which it is eternally parties.

In the first case, it is taken into consideration is the engine that leads to move towards knowledge.
If Aristotle said that the desire for knowledge creates wonder, envy is the wagon on which it moves to get there.
want, in this case, means an effort directed primarily to the change, the change himself. A removal must be followed, however, by timely return.

The philosopher is a prodigal son.

The only change that can occur in society can be made on an ontology.
The point is that manufacturing is not simple envy. If you live in a system that decides what we should want, become the object of envy there fake, because it does not have any bearing on what are the real needs of the individual.

It is therefore necessary that this individual before they become emancipated, primarily responsible.
Should not happen but no ontological change, you end up being in front of words and resolutions revolving around themselves. A power party closely linked to real issues and not rational, which can often pretend to wear an identity unbearable. This creates
more often the phenomenon of mass confusion of the individual with no existential orientation, more like a herd where everyone tries to occupy small spaces and makes attacking those nearby, in a desperate attempt to get possession of the word "excel".
doing this are shrinking the space as well as time.

The existence should follow that path subtly linked to the experience, more often is associated with the demands of quick consumption.
But this is a concern for the masses, and we do not care.
What should concern everyone closer, it is rather the attainment of knowledge that will make possible an improvement not only in the formal but also real.
This is not possible, however, gaining feelings of hatred, lazy and destructive temptations associated with, claimed that complex defects that are the source of other problems.

said this is necessary, of course, go in conflict with a normal act of overvaluation that is made in respect of having at the expense of being.
The point is that there should be no one to prove anything, and that, rather, since the human condition suggests that life moves over the wall filled with nothing that is freedom, and that there is other than the sovereign's death, it is worth listening to the live voice that whispers to us our duty, without seeking consent, but doing it for pure love (located outside), eliminating the illusion of a changing world that exists only within ourselves.

The rest are lies, and let the others envy (those who believe).

Luca Atzori

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I think it is sometimes resorted to the observation on the discovery of del'aprire change your mind or your eyes on something or read what otherwise looked in the same way. It does not happen only as a conscious mental exercise, can also be an instinct that all of a suddenly reversed.

A month ago or so I was afraid of autumn, winter, cold, dark. I also read a post days after inspiring growth that nature continues in silence in that season, but I felt really take root in that belief. Then I forgot, like so many inspirations that do not assimilate bene.alcuni beautiful days ago I signed off intimately-free at a turning point that I denied me a long time and yesterday I had a chance for me to put him on the shoulder by the events and let me give a further confirmation. Today, just back from a night is not without its battles with monsters obvious to catalog and manage this change, a bit 'worn out I had a sudden feeling of being able to find in winter and feared, a suitable habitat. Spring is beautiful but too challenging for a moment of regeneration intimate as this, spring will be perfect for the crown at the maximum. Summer is outrageous, even that is too active for the care that I would now. Winter is slow, has walls, silence, sharing whispered, what a month ago I declared the darkness I guess now as a warm and intimate, that he called vacuum action see it as an opportunity to share more sober and profound. Lì'ispirazione I read and deleted immediately after my whirlwind of ideas is born alone, a stronger requirement.
Inspiration fleeting due to the vulnerability that arises when you decide to deal honestly and regenerate a part of himself? Or the first part of a novelty to find serenity in the winter?

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Tonight Maurizio Pallante gave a subtle form of discomfort that I feel in relation to the substance of my work (very comfortable, well-paid to charity, but I speak of its substance), "crap".
He did not use this term and did not refer either to my work, but took as an example to the people who produce items such as the Santa Claus that they hang from the balconies at Christmas. Useless objects, which populate the apex of the superfluous shops, and the production is pushed to the limit to raise'm damn GDP. Add to that job a little 'logical-intellectual exercise and get around the mine. The unsuspecting officer said the industrial production of Santa Claus in our system is considered a salaried worker and contribute to GDP growth, paradoxically, has no value in the system and GDP as the result of know-how, valuable asset of many non-workers (housewives genuine than once, the senior who cultivates his backyard and repair items in his basement) and pills that produce little marvels of comfort.
will be the consciousness of this paradox that has crept imperceptibly and is grown in me recent years to bring this desire to learn stamping concrete to do something? Start a massage course, I go to the dressmaker and meditation weave chat to ask sooner or later to accept me as an apprentice all-purpose, I know a carpenter and after 2 minutes I'm holding the hammer and try to help him, I know a bartender, and I do promise to teach me to do well the coffee (a little decrease, but it is always "doing" practical and no hot air), I look at the remaining days off and threw a trip to an active Wwoofer.

Pallante, who knows if he was tickling the first time I read his visions of happy or decrease if every employee in hot air for brains and after a number years of dreaming tools! .. now that I think, my colleague Gianlu (skip pallante certainly do not aspire to descrescita, but is affected by the eclectic and lucid madness) is often said that I would be happy to make the gardener.

Anyway cheers to the happy decline, incidentally embodies what excites me forever. Upon returning from the conference I attended with pleasure to the usual folk dancing in a corner of the ancient port .. no bar, no TV, an old accordion and joy of sharing.

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"Fabrication manufacture
prefer the sound of the sea ..."

Dino Campana



Mad Pride is an organization that wants to claim that everyone has the freedom to carry the herald of his mental illness, without being marginalized for this, nor sedated, or locked up and so on.
Mad Pride believes that through the mental illness becomes manifest the existential condition of their actual individual who is affected, and its relationship with the world around (of which he himself is a mirror).
The delusion of the schizophrenic, the condition of depression, bipolar disorder, etc are possible forms of truth which appear in the mind of 'human being, who threw in a certain reality formerly dominated by non-own agreement with the sensitivity (which is the principle everything), to create an alternative is found, lead to the paradox of despair difficult to endure.
The remedy that is offered them is psychiatry a science born out of nothing that classifies in a statistical any kind of special sensitivity and calling it by enclosing a whole, and thus providing the medication that is used to approximate this or that form of sickness.
Mad Pride wants the abolition of the psychotropic drug, a real scam, which serves no useful purpose to solve any problem, but it helps just to sleep. Administer drugs is the best way to prevent the location of a person and put aside any hope of solving problems.
Normality, needless to say, where the rule does not generate too many questions, and everything is subject to control.
What Mad Pride aims to achieve, is not only a Declaration of the Rights of the insane, but also and especially the conquest of 'pride. Too often we are forced to have to adapt to a reality that is not and never will be ours, so having to put in place a process where all self-injury is important because, unless the true responsibility.
The madman is not irresponsible by nature, he is not because he was offered no possibility of any fault.

not be misunderstood, however, we do not want to make an apology of some discomfort, but do not consider this as part of a condition to be considered merely in its negativity, but as a reaction to a world that becomes more and more inhuman, and that requires people to live in permanent captivity. We consider that very
to decide who is mentally ill is always a figure of power, and power is known, does not require actual damage to imprison or shut up, enough for him to decide a priori to change his innocence or guilt in Health or madness, so to have the right to decide on a person's life.
Just to be considered absurd by the fact that there are people (often mediocre Rise) they decide on the fate of others.

Mad Pride wants to become the crazy proud to be such, and can draw from it the strength to find happiness not induced in a forced, but must be won through a path that leads from the first and foremost to the human sphere, the same approach of 'individual.
Mad Pride also wants to start a fight against the primacy of production, which becomes the end of all existence, and for that it is canceling.
Mad Pride believes that in any delusion there is a truth potential of consciousness, and that any form of exclusion is the source of true discomfort.
Mad Pride has a primary mission: that no one is ashamed or to be a fool not to unveil their delusion, and that everything is done with great pride, and even become the subject of serious interest, since the madness has always been the gateway to every waking (concept bulky sleepy and drugged in a civilization like the one we live in).
Mad Pride believes that the only path to happiness, and freedom (the real one, and often uncomfortable, until it became just too hard).

Luca Atzori

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C. JEMULO

The anti-idiomatic music


Luca Atzori

When it comes to more complex musical styles like jazz, or fusion, it is easy to experience a phenomenon so widespread and naturalized, as irritant, which is the enhancement of performance alone. The comments that follow certain jam sessions are often addressed to the speed with which the musician moves his hand, or knowledge of the stairs, so the whole set of technical elements contribute to the artistic aspect of most wanted, (and even irrelevant) by inflating the ignorance of the listeners.
not be neglected then, the whole body of music for the market, which is playing a role of ornament of propaganda, that the era of so-called "reproduction" can be considered as a dominant value.
But there is a musical tradition that pays for the task of going beyond these principles (assigned by some kind of subtle and ineffable entity legislating), and that of anti-music idiom.
An example is Chris Iemulo in Turin, was born in Syracuse in 1978, graduated from DAMS in Bologna and active in music for almost twenty years (during which he studied with people like Charles Mason, Phil Singer, Markus Stockhausen, etc.) .
We can say that Chris Iemulo has begun to distance itself from a tradition that regards the Western music, which is seen confined within certain patterns, tonal possibilities in the one closed and limited to only twelve notes, jumping back three hundred years and trying to retrace the path initiated by composers such as Schoenberg, Webern, Stockhausen, and he walked beyond the barriers of equal temperament.
Both the pop music as the most sought, in fact, always fall within the categories gestalt whole that must be balanced and sequential.
When you come into contact with the music of Chris Iemulo you can have the first hand impression of not understand it, even if the anti-idiomatic music, paradoxically, puts a hand lens, or to generate new variations that are able to divert 'attention by technology, and are therefore far from the desire to provoke awe in the listener.



The music is very anti-idiomatic (and here again paradoxically) idiom, but in the negative, because it brings together all the languages. His conception of music goes beyond the strictly Enlightenment. Could be approached for his impromptu, then the artistic movement avant-garde was born in the sixties who was known as Fluxus, because there is basically nothing but a stream of consciousness, but never falls into the temptation to sink to any cost in a culture of bad (simplistic way, and beaten by many).
Iemulo Chris is currently playing with a collective ensemble that has as goal to develop a community vision of art, where even the individual find their own space and at the same time, through improvisation, is able to harness the power of music creative tools and personal, trying to realize a music based primarily on a research as an artist (and about transversality Iemulo Chris works for the theater with the theater company Eidos).



If there is a way of making music, so why is there a need first of all existence, without pretending to say it's nothing new, nothing strange about it, but with the hope of being able to give dignity ' art, and with it everything that concerns an artistic ideal that we go and perhaps forgetting that now requires more strength and motivation.

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An exhibition brilliant and moving, too limited in duration, in Genoa has given space to 5 people I would call Perhaps urban artists, although most would call them crazy eclectic soiled or worse. And if an element of madness in them there is what has made them even for a most lucid moment of the rest of the people. I found the show Torrighelli Carlo, a retired stonemason who in 70 years turned a cart (and 3 dogs "siluretti": Love, Beauty and Humanity!) In Milan near Sempione Park lapidary writing and reciting phrases and passionate .. .. here is on what I investigated online and is remembered by all as "the wave", in reference to his anti-clerical theory with which he denounced the Vatican's use of electromagnetic waves deadly for the people. But I
in room of the exhibition devoted to him, which contains very few pictures and a dozen of the cards that attacked the city, I had been kidnapped by something else. Laziness and haste that day I have not pinned that pair of lines that I found so real, synthetic and penned by moving just because of this strange man. I went back to the show e.. damn .. the building was open, but the dark rooms and at the moment can not be visited due to an event. Xevi who accompanied me, and that was just my understanding of the urgency of documentation, has been the pole and I pointed the camera in the dark, taking the most beautiful sentence, the total synthesis of spirituality:
"ox people know that the word God means the world with all its nature "
.. nothing but air, people ox.

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a beautiful October

will be a great October. He said a lady friend of a friend of a friend with whom he spoke on the bus .. and also a lady who came out the other day from a store.
And I was two weeks ago at the first hint of autumn cool feeling I have darkened a little fragile this year to meet the dark, cold and a feeling that instinctively call "void to be filled." Then my members have closely followed the thoughts and are stiff .. I thought it was uncertain because of the walk due to pain in the foot .. but .. I had missed the obvious and well known connection between feeling and body.
Captain negative thoughts or things, but understand it immediately gives him an educational function as a pole and a need, we have them and is their opposite.

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PENGUIN



itinerant orchestra canned


Luca Atzori


the summer of 2008 he returned to light a project that since 2001 it moved through the streets of Turin underground made of songwriters, musicians, artists, united as a thin unusual and congeniality.
Stefano Amen (formerly known as singer-songwriter), with the arrival of Alberto Moretti turned his project in a duo (finding a balance in both compositional performative).
The sound somewhere between rock and roll and electronic music can be recognized already in the promo only in 2001 that opens with an intro to their song (Yellow), which is immediately captured by the simplicity of the song form, mixed with sonic the new millennium.
In the same disk several readjustments to songs by Syd Barrett (Opel, Late night, haunt gigolo, vegetable man).
Penguin is a project that aims to go beyond the individual figures of musicians, acting as a form of impersonal music event.
's interest is to communicate a' first artistic intention that image (which is now increasingly rare).
Two individuals that managed to merge and communicate their taste, rather than simply paying attention to themselves, have managed to create a new understanding of popular music, making it the most current available.

What we are going to define here as "folk music" will never cease to exist, but will continue to transform, change language. Can only wear clothes which will be part of the time, and so continue to be, as long as there is life.
Penguin is one example.

shown below an 'interview I've got to do with Stefano and Alberto.


What is Penguin?

Stephen: It 's a project that aims to make contemporary music a certain way of using the song sounds more modern.

We define it as a marriage between rock music and electronics?

Alberto: I would describe as a musical syncretism. It is a way of seeing things that actually existed for thirty or forty years, just remember the Suicide Soft Cell, or even the Beatles

Stephen: Our interest is to clear the so-called classical music and to make possible a partnership with music entertainment. We would like to make music that appeals to females.

How did this collaboration?

Alberto: In a natural way, thanks to Simon Sandretti (who is a director and performer in Turin).

Stefano, Alberto has seen my show, we chatted a bit, 'I already knew it was electronic music, so we mixed up the things that I had produced with her and I was born duo Penguin.

I know that Penguin uses different forms of expression ....

Alberto: Yes, We intend to use other forms of transmission, such as Video. We also use a few more tools. We try to convey, at a conceptual level, the sense of repetition. Like in the movies where the assembly takes place. Our songs are film songs. It 's always preprodotta.

Stefano: Contemporary music often neglects the vocal aspect.

Alberto: For us the important thing is to communicate, you do not need too many tools. We do not have the battery, for example. Abroad, such things are often seen.

Stephen: Indeed I would like to make a clarification to see controversy than the typical Italian way. We would like to get out from simple aesthetic categories techniques.
Alberto
: ours is a 'walking in the orchestra box.

Stephen: But I say that these are reasons we do afterwards. We are only interested in making people dance, involving them on an emotional level.

I know that you made a video ...

Alberto: We have a self-produced video, yes. The song is called Yellow (www.youtube.com/watch?v=Aiihj2Ob9Sc). In this video we wanted to bring attention to the project, and do a fashion show.


Why did you choose to sing in English?

Alberto: first, because it's fun. We decided to pull out all our intellectual influences without mediation. We always listened and sang English music. After the rock and roll, popular music is sung only in dialect, but also English.

Stefano: the 'English has replaced the drawl when we were kids when they want to sing sghen. we use the lines exactly as they were using primitive immediately after the pace of a shot beaten repeatedly (and then a rhythm, then the dance) is expressed in verse. We want to make electric pop music though. We want to be realistic. We also have stories to tell and concepts.

As you can see your image as a man on stage?

Stefano: We concealed ourselves. We are not truthful. We use "masks". In this we are inspired by Bowie. Not we tell ourselves directly. It is central to our image.

You are active from a live point of view? And how do you move?

Alberto: We are currently self-managed. We use social networks to move in Italy. We played Italy in North, Central, Sardinia. The live element for us is overwhelming.

As you inspired?

Alberto: We're going to watch the sunset from the top floor of the parking levels of the shopping center in Grugliasco, eating olives at the bottom (but also below).

been registered?

Stephen: We're going to finish the recording of our record and evaluate the possibility of publishing it. How do you distinguish

You have two ways of looking at things and how to get married?

Stephen: I have more authorial attitude, write and do structure.

Alberto: I am writing to the nearest snapshot. The dichotomy favors the association. Stefano is lunar, elusive. I am direct sunlight and harsh. Equal but not interchangeable.

The name Penguin?

We decided to use an Italian name. We wanted to be ironic, and then it sounded good.

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THE COMMUNITY '(where?)

"Why are the words that you no longer use the words" Leo Ferre

What my sensibilities as a twenty-six (some from the future 'uncertain, but in the end there is also interest in make it clear that much) ... warns that lie around it, is the 'extinction' of the concept of community.

By itself, the community is ugly, unspeakable as Blanchot would say, or inactive as he told Nancy.
Hidden by the landslide of the objects that are the result of the production itself, or the identity marked, as every feeling, every disease, every desire, brand.
Thus deluded, we walk together with an eye toward the fulfillment of our success, trying to mirror in that building, telling the world "too 'I have done something, too' I produce," while the eyes become lost, distracted ( mean those addressed to the heart).

The real communication is the most glaring example of what it means to betray the community.

Democracy is another problem, the biggest obstacle today. It ensures the development of major world economic powers (which is no coincidence that they chose this form of political organization), acting as a sedative against any sense of community.

Whenever people to design for the construction of a working system, they betray the original need to be together as a community.
An example is the university where many students aspire to become researchers, unaware that such should be subject to rules who do nothing but make the culture more and more forced into silence, because those rules that are harnessed in the production, accumulation of goods, needs. The usual story.

The most urgent need seems to be to create a future, and so, pushing all that comes before the other one. It does not matter if what you have to say or do will be more or less important, it will be a Machiavellian luck to assign the victory, the guarantee of a less objectionable.

Damn motivation.

to stifle the community is very language. Often to meet and talk, cry, cry, laugh together, but this is accidentally, and does not bring with it any power. It is a cry of despair given and any statement known and shared, is a reality that goes to rest on the community as a cloth over a corpse.

Today we know that the community is an impossible concept. When we turn to it, we refer to the plan of 'experience: unspeakable, unrepresentable.
A community where everyone is made invisible (along with the community itself, paradoxical as the object of thought).

That's all folk's

Luca Atzori

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IN THE NAME OF GOD REST THE MEANING OF LANGUAGE

The theoretical philosophy, as well as for is redesigned by Carlo Sini, should be half as good as given a universal science, and the other to detail.
According to the philosopher from Bologna, the problem of philosophy is that today it "think too much." What we still we are going to define as a "friend of wisdom" should evolve into an 'ethic of thought. " Indeed

after Heidegger is no longer possible to think of access to the 'universal' only through the vehicle's "special" which is housed in the language.
The very concept of "universal" in itself is special, indeed we would say that everything that can be considered accessible to consciousness, or the whole plan eidetic may be thought of as objective.

The human being tends to turn everything into an object, what is inoggettivabile, and this is his High Limit.
The food is cooked and seasoned, and eaten directly like other animals which occupy the floor of the 'intimate' s immanent (as Bataille would say in "The theory of religion").

For ethical thinking, therefore, means a new way to "live" thought, assuming that you can access it only through language.

Sometimes I imagine a sword that pierces the planet earth.

All the way live in the language. It's so that we have control over the tools that Rendola our own potential future, and so all our projects. Language is a more sophisticated form of objectification, that is the creation of a world "knowable" that acts as a reflection to the "noumenal", which knows no separation, transcendence, is a mirror that only shows itself.

When you go to meet "God" and consequently to the whole plan of imaginary entities (angels, unicorns, Donald, golden mountains, etc.) you must meet all 'unreality of the whole language, which we are shown how effectively all institutions to be imaginary. This is the meaning of the Met.

Rather than thinking in ethics, I believe that philosophy should rather evolve (or rather resolved) in Poetry.

In the name of God rests on the sense of language.

Luca Atzori

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AN AFTERNOON OF AUGUST

I spent the afternoon of today 'of this' in August current magnificence by staying on the couch and watch TV.
When I turned the action to press "on" on the remote and immediately I saw the screen light up (accompanied by the sound that recalls the birth of a thousand minipopcorn), I was able (after a few minutes) to experience a sensation or to see that the world is still out (the whole) more Idiot me, and it seemed to me reassuring.

I noticed that he often speaks of matters that have to do with the mismanagement of the country. It is often mentioned a person of small stature who seems to have a lot of money and even dishonest. It seems that the figures around him are the sharp operators tricking, and yet they serve the media tools in order to manipulate people. A funny thing.

will also be the case, but the thing that causes me more astonished to see how anyone (even those who disagree with this dystopian form of government) is actually driven by a fear that I believe is the real ingredient in lethal around the cauldron: it is the fear of seeing disappearing democracy.

The fact that a government that continues to be discussed and on which you continue to write on a lot of comic books and soap operas (or rather I should say that it still exists and this comic soap opera that is our government) is because that allows this to happen, and in this regard we must say thanks to that little word that sounds like so much defense "Democracy."

Why our government is like blackmail the people telling him to "give thanks to live in a democratic country" and saying that he can afford to remove all traces of democracy, without anybody noticing.

But it is within that it makes any form of alternation. And 'as if they were guaranteed the stands on which to exercise market.

course, if everything would disappear formally democracy more difficult. Would we return to deal with things like war, that they waste so much time to those who want to enjoy life.
The problem is that in the form of "democratic" of being guaranteed, we can not afford even to suffer, because life is more like a cartoon, a soap opera, often less interesting ... Defne would be better as a life devoted to watching soap operas and cartoons. "

But no, all there to defend democracy, all of them to lose time.

Of course I had no alternative but to imagine, whereas in the bottom of all this cloak I do not care that much.

So while I did these reflections, I thought about my "third sull'antiumanesimo speech" on the role of the intellectual that is limited to books, and should not stand there thinking about how to improve the world, and I decided to go back on the bed and read "Journey to the End of the Night" by Celine, a novel about which I would have nothing to write (if not a few phrases to underscore that I consider most important).

Luca Atzori

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pinch, orecchiette and inspirations from Salento

We come back at night and opening the door to the giant room, we see only a dark red candle lit cemetery next to the bed of a girl in the supine position and composed.

Fortunately, we know that is not dead, asleep, that the candle is an eclectic found not to light the neon flashanti us on our return.

you as well as having created this moment of hilarity for many nights is the same girl that has fueled my inspiration, he began to massage themselves and is just 3 years older than me. You can.

Change and unscrupulous choices. In a week I found a majority of people with projects and work in progress, or change in phase of exploration. Anyone who has plans and goals, who takes the time to look around. And there is an air of richness to be maintained, I like to believe it is for most cases of economic stability or instability due to moderation soothed by total positivity and confidence (a situation that I had a very good example, near the last year ).

One afternoon reminded me and Dani Claudia to call to confirm our appointments back from vacation. Claudia? Oh it's true .. that dear, but I can not remember his face. Genoa? And the newspaper? And the thoughts and emotions that I leave behind? Was it me? That feeling of anesthesia and amnesia, is perhaps the music of this country has just acting on the therapeutic power tarantate .. Magically decades later we are going over so gentle and less dramatic than the paths that were created by them.

machine .. we have no car, we are without accommodation for one night, there is little public transport on Sundays, little information or solutions prepackaged. The question comes in midweek, but who wants to respond or worry? The strategy is not even choice, it is automatic and, at worst lose a day of tours to the region and will spend the slaves of trains and bus timetables unlikely .. but could be better, who knows, revealed to the world that we need and see what happens. The night where we are already passing over, a machine materializes with classmates leaving before, a cold, it also allows us to have the car to go to the sea easily.

Porte white double doors, large rooms with giant old floors and high ceilings with vaulted ceilings, large windows that overlook on interior courtyards with chipped white walls and plants in large green leaves, a shower on the terrace, marble staircase, lobby where fresh echo our tambourines. Everything for us, "self" and live in freedom, no opening or closing times, no keys.

This is another materialization of something you want that I could not draw better. Another of the many that follow.

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DELL'ANTIUMANESIMO THIRD ADDRESS: THE INTELLECTUAL

It 's true that using the word "intellectual" is inherently unfair and intellectually dishonest.
L 'origin of the use of this term is found in the Enlightenment, when you thought it was plausible that there is a character that as a profession had to deal with social problems, political, and that while they would begin to write novels or treated.

Inventing fantasy stories, or philosophical process large buildings, how to deal with criticism of the works, or destroy and bring down those same philosophical constructions of the above, it has nothing to do with the interests of the problems that have a social nature.
The 'true intellectual, "not only has this task, but rather know that there is not even a shadow of a 'need, anywhere.
Dealing with other political and social affairs, approcciandovisi as if they were composed of facts with a certain reality, is in itself a folly. What is called "intellectual", is well aware that when dealing with certain issues that have in them whatever you want to say useful, is talking about things that are absolutely false, good and beautiful narratives, which, unlike literature, philosophy (the most serious), and art in general, arrogantly believes that they have a reality base.

E 'but that certainly is much more appropriate to deal with letters, because from the very beginning we know that will never be anything other than words, and then only through the analysis of that instrument and its inherent falsehood you can come to an opinion shiny (maybe even the "world", then you have to understand what is still good).

It is as if the '"intellectual" just because "knowing grammar" we can deal with some matters that are not really of any jurisdiction (except for crazy people).
This is no coincidence! yeah, why are the men of letters and thought of the leading experts in the arts of narrative and argument, so the only ones who can give a voice that is worthy of that claim "Seriousness" required in certain fields. And but dealing with crap. As if overnight, we did believe an entire nation to live within the "Great Gatsby" or "Betrothed."

The reality we live in is obviously a fictitious reality, a story (not to mention the story itself).

people rather than relying on a government, should learn to manage their lives without help from anyone (but that's another story).

How sad to see that there are still groups who after publishing their novels or their philosophical writings are in parliament to contribute to the production of quell'accozzaglia of nonsense that the Italians drink it as they were the elixir of life.

Not to mention those "intellectuals" who write news articles in newspapers ...
The problem is that if this category is to survive, and literally forced to serve the state by helping in the ornamentation of all the crap that cover the walls.
Same goes for artists that make the job of restorers, namely the workers.

Certainly with regard to the "intellectual" however, is worse off, and highly disturbing, because you have to believe to believe in an inordinate number of stories (for more mundane) than have reason to be, and which help to lower the quality of life.

A folly, in short. The intellectual

to concern itself with matters relating to the paper, that those who believe in the real world enough to mark the ranks of commentators / puppets, always an inspiration to so many wonderful new stories to tell.

Luca Atzori

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Bud

Increasingly in recent years I find myself doing things a little 'freak (and I use the adjective that you would usually, but for me they are only interesting or funny or a bit ' discounted less), will be a case or more likely a new idea led to another and new knowledge that brings another like that nurtures and develops other related ideas .. and so on.
The nice thing is that sometimes I can think of things to do, but the difference out of laziness or because I seem too exaggerated, then after a while 'I find myself in there, that they are chasing me!
A bit 'of months ago I read of the practice of sprouting seeds at home to use gourmet-healthy, had dismissed the idea, then two weeks ago a friend started talking and eventually I could not resist the curiosity .. It 's easy! They are also good! (Maybe the good is increased by the fact I know that are good!) What satisfaction!

were only buds, but I was intoxicated by the thought that so many things that I thought I'd dodged to listlessness and, at the right time can go back to see me and I could make them with ease and enthusiasm!

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front of the window

At one year after the crane has again offered a shot scena.Ieri afternoon I come home from work by bus and I do not see spire as usual from behind the cotton warehouses. And to think that a few days before we went to see her from getting close to sneak in the yards! This time In fact, I'm not alarmed and began to look like you know the bus in the port, after a while 'I see a tick in the central area between Enel and the lantern a metal edge far sconosciuto.Questa morning arrival at work and here it is , is in front of my office window. There are places in Genoa are .. but is passed from the kitchen window to window of my office! Usually speech, change place, change poosizione, do not expect to be there, you've lost the habit of carefully observe a slice of the harbor in front of you every day.

That said, I'm glad that works, but home is home to the pier and there is still more beautiful!

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THE BELLY

The force of gravity is the Devil. (And I, Prussian blue, his prophet. A little 'space for my anger, if you please). Ennio Flaiano.


It is often said that truth does not exist. It is not considered, however, how this claim to predict the outcome of a precipice paradoxical to those arguing that there was no truth in this state an absolute truth.
The point is that in itself speak of the truth (according to logical criteria) is always a paradox. To say that something is true, often does not mean that its opposite is likely.
This is a matter for the whole repertoire of so-called "bullshit" that often accompany our difficult times where we seem to have entered into various impasse.
This relates to a clear overestimation of reason, what Derrida would call as logocentrism.

The truth is a matter of belly.

We are our desires, but alas, We used to not paying attention. We are not trained to do so. Shake by our emotions, as if they could not take anything, as if they were a danger to us, frightened as before the siren song of the twelfth (to Homer, I mean).

not know that there is peace everywhere in the world, even in the huge uproar.
We are accustomed to hearing the little voices that speak to us in the head, all in contradiction with each other. We are like palaces inhabited by hundreds of tenants, which should never agree with each other, and who continue to complain to the administrator of the building that we then ourselves.

We are tenants of the ground floor. The belly

us says what we want, what is right for us. It tells us that we are interested in, it tells you what makes us feel good or bad. The stomach talks with the emotions, and these are our absolute judges.
Very often we are even forced to have fun. Enter the land of opportunity granted, and all at odds with what the belly screams behind the gag.
Sure, life is something much simpler. Just understand that each of us leaves the truth manifest itself with the statement of their wishes.

not get me dancing in the scientific truths, please: In the realm of reason there are only assumptions, and are always strictly true.

Yeah, and when you want deal with a speech that light a lantern above the desire, end up with a "do not know, complex speech" when in reality the problem is that it often takes two, three, one word.

If logical truths are too many, the truth has to be to be disposable, to be true.

Luca Atzori

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"Enjoy the error" image

Yesterday I was impressed, a second after writing a sentence given to one of my co-worker: "Enjoy the error." In his case
beautiful mistake, a person at work is considered infallible, a great error to those who need reminding of its data that we are not open-heart surgery and that a wrong comma will not cause anyone's death. "Gotidi the error" would encourage people to look at all ironic amazement and agitation that had created the wrong comma in a number of characters around him.
Then I read the sentence and have paid me. Being that is understanding what is human and interesting and should be imperfect, especially if it becomes a must be aware and to get to a next step. When I understood, forgiven and almost looked sweetly my own imperfection or weakness, then I happened to remember this point of view and to forgive more easily than others .. then he did it in greater or lesser extent depending on the estimate to the other .. oh yes indeed, imperfect.

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google today devotes his writing from an architect and designer who strangely ignored, although they certainly have seen some of her patterns in my occasional forays tematici.Mi sites has attracted its own style and in a second I felt like a picture of my current mood, or rather more positive reading may I can do. How many ways there would be a mess to read .. but deliberately focus on a positive life-giving and its interpretation is really a magic medicine. A tangle color, look good and not a maze, are branches that move, stretch, grow, change color, are intertwined with others. Yes, yes, the goal is a stronger body, rooted, but all need.

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The Art of Dreaming


June the twenty-seventh was held at the Alcatraz embankments, a cultural festival organized by the Torino Teatro di Mauro Alan Go, presented as The Art of Dreaming.
More precisely, it was a celebration took place in honor of the newly formed company that includes artists of Theatre Eidos all kinds, from writers to actors, musicians, painters, photographers, editors etc..
The leitmotif of the event was without doubt (as you can easily guess) what the dream meant in every sense (desire, dream life, etc.). We can say that the whole event has used this theme as a window to illuminate the reality of an evening.
all began with an exhibition where the works have been exhibited Colanino Delia's designer, the designer Samantha Lai, Babalushi the artist and photographer who calls himself Musician Alchemy. Both Delia Colanino Musician Alchemical that participated (according to their skills) to the realization of the show modesty aside, I wrote, directed by Alan Go and performed by Ilaria Mauro Aseglio Gianinet, which occurred after (and followed by) other various shows and performances were: the presentation of the Publishing House
Eris, the presentation of text Cheik Ngoma Bayefall The Silence of the Gods, the Mac Alan Beck show pupils made one of the many workshops that take place in Turin, the show Marco Marco Fratta Fratta Reading Project with readings by Frederick and Alan Vincent, the performance of fluorescent decoration of clothes live Samanta Lai and followed by the spectacle of Giulia Donelli "It is not as it seems" with Cristina Costigliola and Travels of CJ, Mule Emule.



The spontaneity with which they were collaboration has certainly increased, and made vivid the need for community in an ever more urgent that there is in our national artistic reality.
It is said that for the artists is an unfavorable period (it is unclear whether there was a time when the situation had been different), so instead of drowning in the usual complaints we have decided to give their voice and in particular to those dreams and desires that are grouped together with the aid of other minds and lives in a group experience.
's event certainly has revolved around the very fabric of the evening, which took place (apparently not by chance) in a nightclub. Several shows, exhibitions and performances, managed to bring people together in a real ritual where entertainment has become a real sense.
There is often room to roam without knowing why one is finished, so that you risk falling into routine habitual drunkenness, and you go to skid their motivation to nowhere, unless there is a concert or another type of event that would justify the move.
In this case we wanted to gather people and make an evening that could make them do something that they can tell.
Instead of forcing us to pretend, mask and show ourselves a face that often force us to dress, we wanted to talk about our own lives, our talents, we tried to talk to our past for him to say aloud what the future will prefer to meet. For everything that happened. The title taken from a book by Carlos Castaneda titled The Art of Dreaming, where he told of an experience by the writer himself as a center with the shamanic initiation. The theater is in fact a form of shamanism. First of all you care, put on show of what we are normally forced to hide each giving voice to his daemon.
If anyone believes that theater is an art form embalmed, I can certainly believe that we can not say the same with regard to the rite which is the meet, get around a fire and tell stories.


Luca Atzori

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EMOTIONS A CARO NO PRICE

"Hell of the living is not something that will, if there is one, is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering. The first is easy for many: accept the inferno and become a party to the point of no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the middle of hell, is not hell, then make them endure, give them space. "Italo Calvino




Those moods are commonly defined as anxiety, depression, despair, etc., are actually none other than luxuries. We
commonly used to thinking that if you are faced with the threat of an emotion that we believe to be impossible to manage, you should seek remedy in the suppression of that state of mind through the narcosis, psychological counseling with a retinue of prescription medication, or if they do not, be thrown on his bed gazing at the ceiling, groans emanating primordial, or degenerating into a variety of other bizarre behaviors (often designed to self-destruction, with accompanying consolation).
Often we are not able to support even the marital relationships for this very reason, or because you are going to look out too much emotion, so the choke as soon as possible should be falling in the dynamics of abuse of one over in a competition to see who wins the trophy for the "no pain".

Someone told us (and do not ever remember who and when) that being alone is a terrifying thing.

are afraid of a "problem", and rather than face it you decide to cap it off, forget it.
Quell'ectoplasma we have called "problem", however, is precisely the source of that series of reflections that should bring our own emotional system to travel to reach (attention) is not a response to the meeting, (which for the itself is precisely that from which we should instead escape), but rather for the manufacture of constant questions.
These emotions (not by chance that I would define as luxuries) are too expensive, and did not mean in general.
We used to have to have control over many facets that are principally used to arrive alive at the end of the month. In the event that this excess of "meaning" should arise, we must address them immediately, to avoid the risk of "LOOK" like a bastard.

happens that these problems are often hidden in interpersonal relationships, where one is forced to show him that the puppet that we designed and that allows us a safe exit from that big rock that is the CASE.
To say nothing of the story we tell ourselves before going to sleep, he says looks like this: are the others to be bad, I'm the victim of cynicism etc etc.
Yeah, and so we sit happily in the chair of its misery. An armchair that we do not realize, but slowly leads us to sink into a process that has only one name: the degeneration.
And then we became convinced that millions of licentiousness to give us joy that we tried. A night spent drowning in alcohol, or sex with strangers in the bathroom of the first local paved the tribal rhythms of that divertissement that we picked up (and not vice versa), then wake up the day with a headache, the guilt, and so on.
This turns out to be one of the life patterns of living "cool" in our current atmosphere of decadence and barbarism spick.

Facing your fears? But if you do not even have the time!
Indeed, the time? be lost. You lose!
often do not accept that this same problem exists. Why in the notorious group, you can not think of inseririsi with this burden on him, but rather should act in the manner of Diderot (see the paradox of the actor).

Convinced of what appears to be ourselves. Convinced that his own ego.
The root of this problem must certainly be assigned to an economic structure. Whilst it is pay attention to the fact that our hands to make the economy, and our dreams.

Everything is precarious, tasted, and never (or rather trouble) lived through.
is forbidden to live too, and for that reason, therefore, suffer.

What to do?

Maybe join those two great luxuries that are the head and the heart to take a little 'space? Massacre yourself with infinite love?
make the bottom? Raise the blinds?
Go to skid against death, begging for a living?
? ? ? ? ?

Luca Atzori